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Red Lights

Unrated; violence, sexuality, language

October 14, 2004

By CHARLES EALY / The Dallas Morning News

Wellspring
Carole Bouquet and Jean-Pierre Darroussin star as a couple whose bickering leads to unexpected trouble.

Fans of American short story writer Flannery O'Connor will find much to admire in the French thriller Red Lights.

Directed by Cedric Kahn, the movie bears a striking resemblance to O'Connor's A Good Man Is Hard to Find – but with a twist.

As in the American short story, the movie begins with a bickering road trip. Antoine and Helene, a Parisian couple, head for the country to pick up their children from summer camp. But Helene has shown up late for the drive, and Antoine has started drinking.

Jean-Pierre Darroussin, who plays the husband, expertly conveys a sense of seething resentment, much of which is directed at his wife, who's far more successful in business than he. And Carole Bouquet, who plays the wife, isn't inclined to be forgiving or communicative, as her husband gets progressively drunker by stopping at bars along the road.

More information

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Starring Jean-Pierre Darroussin and Carole Bouquet.

Directed by Cedric Kahn.

In French with English subtitles.

In select cities / 106 minutes

The dispute escalates, causing Helene to flee the car, heading into far more trouble than she expects.

Meanwhile, Antoine returns from a bar to find his wife missing and begins to search train stations and police stations for clues to her whereabouts. In the middle of his search, he picks up a hitchhiker, even though he knows the guy may be an escaped convict.

In typical O'Connor fashion, the story descends into a nightmarish world that forces Antoine and Helene to reach an epiphany.

Director Kahn expertly guides the acting of Mr. Darroussin, who dominates the film with his edgy frustration. From outward appearances, he seems like a wimp. But as he experiences one humiliation after another, he finally erupts into a violent rage.

Subtle and stylish, Red Lights will remind moviegoers not only of O'Connor but also of Alfred Hitchcock. And it's hard to be more complimentary than that.